![]() ![]() ![]() Widescreen computer displays are nowadays in 16:10 (8:5) aspect ratio (e.g. Nowadays typically used in conjunction with Ultra high-definition (UHD). 7680x4320p) widescreen TV displays came into increasingly common use. Largely between the 1990s and early 2000s, at varying paces in different nations, 16:9 (e.g. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (12:9).įor TV, the original screen ratio for broadcasts was in 4:3 (e.g. Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. ![]() Whereas 1.77:1 and 1.78:1 only do so to a much much lesser degree as they are too close to Fibonacci which is a tiny bit over 1.The Wikipedia main page on August 15, 2010, as viewed with a widescreen monitor The correct usage of compositional techniques within this "Rule of Thirds" structure are what has created all the cinematic images that have electrified us, left us in awe, and inspired us.Ģ.35:1 allows for 3rds and even 4ths, 5ths and sometimes 6ths to have the same effect on us - it's electrifying. Conversely like A-440's slight variation from 432, Thirds are only slightly varied from "The Golden Rectangle" - Just enough so that 3rds activate the mind. Beautiful, but in a way that can be processed by the mind and easily moved on from - they are inert. Comps created using "The Golden Rectangle" are less interesting than those made with 3rds. Likewise, Fibonacci is found all over in nature. One cannot remain in a static state of inaction on a physical, emotional, or mental level. It activates the mind and forces movement. "A 440hz" clashes with our minds with just enough discord that it excites, and aggravates it without being overly irritating. "A 432hz" is the frequency that nature vibrates at, so some think this tuning is more organic or (correct), however this tuning is SO in sync with our physiology and our minds that it has an overwhelming tendency to sooth and in some cases create a trance like state in the mind. If you want the beautiful anamorphic flares and oval bokeh, you can use anamorphic lenses, but better decision is to edit the final movie in the 16:9 aspect ratio.Įssentially what we're talking about is the Golden Circle/Rectangle (fibonacci) vs The Rule of 3rds. So, for TV and Cinema 16:9 is the way to go. If the Cinemascope and Panavision systems was created to attract people with a bigger screen, so it does not make sense to make films in 2,35 aspect ratio today because the television sets will show a smaller image instead of fill all the screen.Īlso cinema theaters today have screens prepared to show the 16:9 aspect ratio and when you see a 2,35:1 film in the cinema theaters today, there are black screen in top and bottom. So the old tv 4:3 aspect ratio could be shown with pilar box and the cinema 2,35 ratio could be shown with letter box, similar black size for both in the new digital tv screen. When digital television was created somebody developed the 16:9 aspect ratio because it was the middle term between the old 4:3 TV aspect ratio and the 2,35:1 cinema aspect ratio. When television started to make people to stay home instead of going to cinema theaters, the cinema industry developed a bigger screen called Cinemascope, after succeeded by Panavision, with aspect ratio 2,35:1 ![]()
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